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| BARDI [né POSWIANSKY], Benno (1890-1973) | Group of materials comprising: i) Passacaglia querriera, for Viola and Flute, Oboe, Clarinet in B flat, Bass Clarinet in B flat, Horn in F, Trumpet in B flat, String Quintet, Score, Jerusalem, 1944, 17ff.; ii) Hymn to Life, and On Death, Jerusalem, 1943, 21, 8pp.; iii) Over forty photographs of Bardi and family; iv) Two pencil portraits by Grete Bardi [née Hirsch] the composer's first wife, 1928; v) Fragment (comprising Vorspiel and Zwischenspiel) from Der tolle Kapellmeister (Revo-Verlag), annotated by the composer. | 1928-1943 | £100.00 | details enquire |
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| Wigmore Hall, Friday April 22 and April 29, [and] November 16 and November 21, 1938. [Two programmes]. | 1938 | £15.00 | details enquire |
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| Societe de Musique d'Autrefois. [Seven programmes]. | 1957-1960 | £30.00 | details enquire |
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| CYLINDER PIANO | A musical amateur has invented a device which he has called 'cylinder/piano' by means of which one can perform musical works. | [late eighteenth century] | £350.00 | details enquire |
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| SANT-LAGO, Francisco de Paula, MUSARD, Philippe (1793-1859), PAGANINI, Nicolò (1782-1840), GROSSE, William Leopold, | Volume of eight publications, comprising: i) SANT-LAGO, Francisco de Paula: Cintra, A Set of Quadrilles, For the Piano Forte. Composed & Dedicated to A.J. Freire Marreco Esqr. By his friend Francisco de Paul Sant-Lago. London: Published for the Author by George Peachey, [inter 1828-1832]. [i (title)], 7pp. Title (detached) with pictorial vignette of Cintra Cottage, Stoke Newington. Engraved by H. Barry. Not in BL or LibraryHub; ii) MUSARD, Philippe (1793-1859): Musard’s 1st Set of Galoppes Favorites, Performed at Almack’s and the Nobilities Balls, by the Band of Messrs. Collinet, Michau, & Musard. London: T. Boosey & Co., [1829]. [i (title)], 5pp. LibraryHub references just one copy (GB-Lbl); iii) PAGANINI, Nicolò (1782-1840): Second Set of Paganini’s Quadrilles, or Perry's 9th. Set, Containing the most favorite Airs, from the Concertos, as performed by him, at The Kings Theatre, Arranged by E. Perry. London: Published by Mori & Lavenu, [1831]. Pl.no.2868. [i (title)], 5pp. Title with portrait of Paganini. LibraryHub references just two copies (GB-Lbl, & Leeds); iv) MUSARD, Philippe: New Series, Musard’s Twenty Fourth Set of Quadrilles, or First Set from Auber’s Opera La Bayadere, as Performed at His Majesty’s Balls, Almack’s, & The Court of France by the Author & Collinet, Composed and Arranged for the Piano Forte, with an (ad lib.) Accompaniment for the Flute, And Dedicated to Lady Ellenborough by P. Musard. London: T. Boosey & Co., [1831]. [i (title)], 11pp. With the dance steps. LibraryHub references just one copy (GB-Lbl); v) MUSARD, Philippe: New Series, Musard’s Thirtieth Set of Quadrilles, or The First Set from Robert le Diable, as Performed at His Majesty’s Balls, Almack’s, & The Court of France by the Author & Collinet, Composed and Arranged for the Piano Forte, with an (ad lib.) Accompaniment for the Flute, Dedicated to the Marchioness of Worcester by P. Musard. London: T. Boosey & Co., [ca 1832]. [i (title)], 11pp. With the dance steps. Lower outer corner of pp.5/6 torn. LibraryHub references just one copy (GB-Lbl); vi) MUSARD, Philippe: New Series, Musard’s Twelfth Set of Quadrilles, Entitled Les Delices de Paris, as Performed by Messrs. Collinet, Michau, & Musard, at the the Nobilities Balls, Almack’s & The Argyll Rooms, Composed & Arranged for the Piano Forte, with an ad lib Accompaniment for the Flute, Dedicated to Lady Elizabeth Bruce by P. Musard. London: T. Boosey & Co., [ca 1830]. [i (title)], 11pp. With the dance steps. Not in LibraryHub; vii) GROSSE, William Leopold: The Royal Gallopades. First Set … as Danced at His Majesty's Balls, Composed & most respectfully Dedicated to H.R.H. Princess Victoria by Wm. Grossé. London: Publish’d at the Author’s Musical Academy, [wm 1828]. [i (title)], 5pp. Verso of p.5 with catalogue of the composer’s compositions; viii) Challenger’s Favorite Set of Mazourkas, as Performed by him at The Nobilities Balls &c., Arranged for the Piano Forte, And Respectfully Dedicated to Lady East. London: Printed & Sold by S. Chappell, [1831]. Pl.no.3821. [i (title)], 7pp. Verso of p.7 with publisher’s catalogue of piano music. One margin with a reinforcement. | [inter 1828-1837] | £200.00 | details enquire |
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| Sheet of unidentified artist’s drawings comprising four scenes. Scene I: a schoolmaster (as a horse) instructing a group of children (as owls), coloured; scene II: a dancing-master (as a horse) playing the violin and instructing two girls (as grasshoppers), coloured; scene III, a marital dispute; scene IV: a firing squad in a castle’s foreground, overlooked by a Duke. | [ca 1850] | £200.00 | details enquire |
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| The World Première of Troilus and Cressida, Opera in three Acts. The Royal Opera House, Covent Garden, Friday 3 December 1954. [Programme]. | 1954 | £20.00 | details enquire |
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| SCHUMANN, Robert (1810-1856) | Introduction und Allegro appassionato. Concertstück für das Pianoforte mit Begleitung des Orchesters, Op.92. Partitur. | Januar 1879 | £300.00 | details enquire |
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| COPLAND, Aaron (1900-1990) | Black and white three-quarter-length photograph of the composer, Aaron Copland, seated at music stand, holding a baton and in rehearsal pose, signed. | [ca 1980] | £150.00 | details enquire |
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| ARDOIN, John (photographer) | Black and white, sepia effect, half-length photograph of the composer, Aaron Copland, seated at his composing desk, studying scores, signed. | [ca 1980] | £150.00 | details enquire |
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