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CORNELIUS, Peter (1824-1874) Weihnachtslieder. Ein Cyklus für eine Singstimme mit Pianofortebegleitung, Op.8. Mit von Constance Bache besorgter englischer Textunterlage. Ausgabe A: Originalausgabe. [German and English text]. E.W. Fritzsch [1870?] £20.00 details
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CORNELIUS, Peter (1824-1874) Weihnachtslieder. Ein Cyklus für eine Singstimme mit Pianofortebegleitung, Op.8. Ausgabe B: Ausgabe für Sopranstimme. [German and English text]. C.F.W. Siegel [1903] £15.00 details
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CONYNGHAM, Barry (b.1944) Water ... footsteps ... time. [Score]. Universal Edition [1977] £15.00 details
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CARTER, Elliott (1908-2012) Warble for lilac-time, For Voice and Piano. [Score]. Peer International Corporation [1956] £8.00 details
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CAMPBELL, Alexander Waes me for Prince Charlie. A New Jacobite Sang; written by W. Glen, To the Auld Scottish Melody o' Johnny Faa, with Symphonies & Accompaniments for the Piano Forte. Printed and Sold by Robt. Purdie [ca 1818, inter 1816-1826] £15.00 details
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CARTER, Elliott (1908-2012) Voyage [for medium voice and piano. Poem by] Hart Crane. [Score]. The Valley Music Press [1945] £7.50 details
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CRAMER, Johann Baptist (1771-1858), BEETHOVEN, Ludwig van (1770-1827), MOZART, Wolfgang Amadeus (1756-1791) Volume of works for piano and piano duet, comprising: i) CRAMER, Etude Pour le Pianoforte en quarante-deux Exercices dans les differents tons Calculés pour faciliter les progrès de ceux qui qui se proposent d'étudier cet instrument à fond. Livre I. Berlin: chez E.H.G. Christiani, [1827?]. Pl.no.47. 37pp. WorldCat references one copy; ii) BEETHOVEN, 1re Symphonie pour le Pianoforte à quatre mains, arrangée par Charles Zulehner. A Leipzig: chez C.F. Peters, [ca 1815]. Pl.no.1033. 31pp. Kinsky-Halm p.53. From the plates of the Kühnel edition of 1813; iii) [Grand quintetto pour le forte-piano avec oboe clarinette cor et basson, Oeuvre 16. Bonn: N. Simrock, ca 1825]. Pl.no.161. 21pp. Lacking title-page; iv) MOZART, Collection des Concertos pour le Pianoforte, avec accompagnement d'une Flûte, II. Violons, II. Violes, Violoncelle et Contrebasse ad libitum No.2. Arrangés par I.H. Clasing. [KV 482]. Leipzig: C.F Peters, [1818?]. Pl.no.1404. 29pp. RISM A/I/7 M 5876. chez C.F. Peters [ca 1815] £150.00 details
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CARISSIMI, Giacomo (1605-1674), CHARPENTIER, Marc-Antoine (1643-1704) Volume of two books of the: Concerts Spirituels (série ancienne). Documents pour servir à l'Histoire de la Musique religieuse de Concert, publiés d'après les éditions originales et les manuscrits par la Schola Cantorum. Première Livraison, Giacomo Carissimi, Histoires sacrées; [and with] Troisième Livraison: Marc-Antoine Charpentier, Histoires sacrées. Au Bureau d'Édition de la "Schola Cantorum" £40.00 details
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CRAMER, Johann Baptist (1771-1858), MAZZINGHI, Joseph (1765-1844), COSTELLOW, Thomas (fl.1775-1800), ROSS, J. of Aberdeen, ROBINSON, T. of Dublin, PARRY, John (1776-1851), SANDERSON, James (1769-1841?), EDELMANN, Johann Friedrich (1749-1794), ARNOLD, Samuel (1740-1802), POWELL, Thomas (1776-ca 1865), HANDEL, George Frideric (1685-1759), LATOUR, Francis Tatton (1766?-1837), STEVENS, Richard John Samuel (1757-1837), HAYDN, Joseph (1732-1809), BLEWITT, Jonas (d.1805), ABRAMS, Harriett (1758?-1822?), KELLY, Michael (1762-1826), COOKE, Benjamin (1734-1793), THORLEY, Thomas, ARNE, Thomas Augustine (1710-1778) Volume of twenty-seven compositions for piano, comprising: i) CRAMER, Johann Baptist (1771-1858): Rousseau's Dream, An Air with Variations for the Piano Forte … Dedicated to The Right Honble. The Countess of Delaware. London: Printed & Sold by Chappell & Co., [1814, wm 1813]. Pl.no.216. [i (title)], 9pp.; ii) MAZZINGHI, Joseph (1765-1844): Huntsman Rest, With Variations for the Piano Forte with an Accompaniment for the Flute. Inscribed to The Right Lady Georgiana Molyneux. [Piano part]. London: Printed by Goulding, D'Almaine, Potter & Co., [wm 1819]. [i (title)], 8pp.; iii) COSTELLOW, Thomas: An Introduction, for the Piano Forte, to which is Added, the favorite Scotch Air, with Variations, Ye Banks & Braes o Bonnie Doon. Inscribed to Miss E. Montgomery. London: Printed & Publish'd by Longman & Herron, [inter 1816-1822]. 7pp. Not in LibraryHub; iv) MAZZINGHI: Nel cor piu non mi Sento, Sung by Sigra. Catalani, at the King's Theatre. Arranged for the Piano Forte, With Variations. London: Printed by Goulding, D'Almaine, Potter & Co., [wm 1815]. 8pp.; v) MAZZINGHI: Bavarian Air, with Variations for the Piano Forte, with an Accompaniment for the Flute. Composed for The Right Honorable Lady Charlotte Cholmondeley. [Piano part]. London: Printed by Goulding, D'Almaine, Potter & Co., [wm 1815]. 8pp.; vi) ROSS, J. of Aberdeen: The Maid of Linton, A Scottish Air, With Variations, for the Piano Forte. London: Printed by Clementi & Co., [wm 1814]. [i (title)], 5pp.; vii) ROBINSON, T. of Dublin: The Favorite Air of the Blue Bell of Scotland, with Variations for the Harp or Piano Forte. London: Printed by Goulding, Phipps & D'Almaine, [wm 1813]. 7pp. Drop title; viii) PARRY, John (1776-1851): No.1. The favorite Welsh Air, of Cynghan Sail Cymry, or The Welsh Ground, Arranged with Variations for the Harp. London: Printed & sold at Bland & Weller's Music Warehouse, [ca 1810]. 5pp. Not in LibraryHub; ix) MAZZINGHI: No.4, Variations to the Favorite Air of Ave Maria from the Lady of the Lake, With Accompaniments for the Harp and Flute, Composed for & Inscribed to The Right Honble. Lady Maria Molyneux. [Piano part]. London: Printed by Goulding, D'Almaine, Potter & Co., [wm 1813]. 10pp.; x) MAZZINGHI: No.7 Sclavonian Air, With Variations for the Piano Forte, Harp & Flute, Composed & Inscribed to the Honble. Miss Townshend. [Piano part]. London: Printed by Goulding, D'Almaine, Potter & Co., [wm 1813]. 7pp.; xi) MAZZINGHI: The Favorite Overture to Paul and Virginia, Performed at the Theatre Royal Covent Garden. London: Printed by Goulding, Phipps & D'Almaine, [wm 1801]. [i (title)], 5pp.; xii) SANDERSON, James (1769-1841?): The Favorite Overture, in the new Pantomime called the Seasons performed at the Royal Circus, with universal Applause, Accompanied by Mr. Adams & Mr. Murphy, on the Harp & Union Pipes, Composed in a Familiar Stile by J. Sanderson. London: Printed by Longman, Clementi & Compy., [1799]. 12pp. Not in RISM or BUC; xiii) EDELMANN, Johann Friedrich (1749-1794): A favorite Overture for the Harpsichord or Piano Forte, with Accompaniments for Two Violins, Two French Horns and Violoncello ad libitum, Opera IV. The Harpsichord part alone. London: Printed by Longman and Broderip, [ca 1790]. [i (title)], 9pp. RISM A/I/2 E 388. BUC p.311; xiv) ARNOLD, Samuel (1740-1802): Overture to Peeping Tom, as Performed at the Theatre Royal, Covent Garden. London: Printed by John Longman, Clementi & Co., [18??]. 6pp. Drop title. Imprint not in LibraryHub; xv) POWELL, Thomas (1776-ca 1865): My Love She's but a Lassie yet. A Favorite Scotch Air, arranged with Variations for the Piano Forte, and respectfully dedicated to Miss E. Head. London: Printed by Goulding, Phipps, D'Almaine & Co., [wm 1809]. 4pp. Drop title; xvi) HANDEL, George Frideric (1685-1759): The Musical Paragon, containing a series, Most of which are newly arranged for the Piano Forte, from the Compositions of Handel, Haydn .... &c. No.1 [Dettingen Te Deum, first movement]. London: Printed by Goulding, D'Almaine, Potter & Co., [wm 1815]. 5pp. Decorative title; xvii) LATOUR, Francis Tatton (1766?-1837): The Rising of the Sun. A Welsh Air, Arranged as a Rondo for the Piano Forte. London: Printed & Sold at Bland & Wellers Music Warehouse, [wm 1813]. 3pp. Drop title. LibraryHub references just two copies; xviii) STEVENS, Richard John Samuel (1757-1837): Bragela, the Poetry from Ossian. Trio for two Soprano's and a Bass, With an Accompaniment for Two Performers on One Piano Forte. ['O strike the Harp']. London: Printed & Sold for the Author by Preston, [wm 1813]. 12pp. Drop title. Signed by the composer; xix) HAYDN, Joseph (1732-1809): The marv'lous work behold Amaz'd, Sung by Mr Incledon in the Creation. London: Printed by G. Walker, [ca 1815]. 3pp. Drop title. LibraryHub references four copies; xx) HANDEL: Oh! had I Jubal's Lyre. [London: s.n., ca 1810]. [3] pp; xxi) HANDEL: Three Favorite Marches in Ptolomy, Scipio, and Richard the 1st., for the Piano Forte. London: Printed & Sold by Preston, [wm 1813]. 3pp. Drop title. Not in LibraryHub; xxii) BLEWITT, Jonas (d.1805): Ar hyd y nos, a Popular Welch Song also arranged with Variations, for the Harp & Piano Forte. [London]: Printed by Thos. Jones & Co., [wm 1799]. 6pp. Drop title. Edges worn and repaired. LibraryHub references just two copies. Not in RISM or BUC; xxiii) ABRAMS, Harriett (1758?-1822?): The Orphans Prayer. A Pathetic Ballad, The Words by M.G. Lewis Esqr. and Set to Music with an Accompaniment for the Harp or Piano Forte. London: Printed & Sold by L. Lavenu, [wm 1800]. 6pp. RISM A/I/1 and A/I/11 A 207. BUC p.4; xxiv) KELLY, Michael (1762-1826): The Celebrated Gypsey Song of Cross my Hand & you shall know, Sung by Mrs. Bland in the Play of Aurelio and Miranda, as performing at the Theatre Royal Drury Lane. London: Printed for Corri, Dussek & Co., [wm 1801]. 7pp.; xxv) COOKE, Benjamin (1734-1793): Hark the Lark at Heav'n's gate sings. A favorite Glee for four Voices Sung at Vauxhall Gardens. Adapted to a single Voice and Harpsichord. With an Accompanyment for a Violin to be added at pleasure, or it may be played an Octave higher (with very little omission or variation) by another hand on the same Harpsichord. Composed And the Accompanyment added by Doctor Cooke. London: Printed by Longman, Clementi & Co., [ca 1800]. 6pp. Drop title. RISM A/I/2 C 3564. This imprint not in RISM or BUC; xxvi) THORLEY, Thomas: Scot's wha ha'e wi' Wallace bled. The Celebrated Scotch Song, Sung by Mr. Braham, with the most unbounded applause in Guy Mannering, with an accompaniment for the Piano Forte or Harp. London: Printed by G. Shade, [ca 1820]. 3pp. Very worn and repaired. Imprint not in LibraryHub; xxvii) ARNE, Thomas Augustine (1710-1778): Rule Britannia. ['When Britain first']. [London: L. & B. [Longman and Broderip], ca 1780]. 1p. LibraryHub references just one copy (Oxford). [inter 1780-ca 1820] £320.00 details
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CALLCOTT, John Wall (1766-1821), ARNOLD, Samuel (1740-1802), HORSLEY, William (1774-1858), KING, Matthew Peter (1773-1823), DANBY, John (1757-1798) Volume of three, four and five-part airs and glees comprising: i) CALLCOTT, John Wall (1766-1821), A Collection of Four Glees, Composed at Blenheim, 1799, and most respectfully inscribed by Permission to their Graces the Duke and Duchess of Marlborough. Printed for the Author, February 1800. [i (title)], 12pp; ii) CALLCOTT, A Collection of Five Glees, for Two Trebles and a Bass and Green Thorn of the Hill of Ghosts, for Counter Tenor, two Tenors & Bass, ... humbly inscribed (by permission) to his Royal Highness the Duke of Kent. London: Printed for the Author, March 25th, 1801. 27pp.; and with CALLCOTT: ‘Drink to Night, A Chearful Glee for 3 Equal Voices’ (Birchall, Decr. 26 1798, 5pp.); ‘The Fairies’ (4pp.); ‘Lordly Gallants’ (5pp.); ‘In the lonely vale of streams’ (Rt. Birchall, Decr. 22, 1798, 7pp.); ‘Druid from the Caractacus of Mason’ (Rt. Birchall, Decemr. 24, 1798, 10pp.); ARNOLD, Samuel (1740-1802), ‘In Summers cool shade, A Glee for four voices’ (to be had of the Author, [wm 179?], 9pp.), Inscribed “Mr Knyvett from the Composer”; Glee IV ‘’Twas within a mile of Edinborough’, harmoniz’d by J. Brooks (Printed for L. Lavenu, [wm 1798], pp.18-21); HORSLEY, William (1774-1858), Lo on yon long resounding shore”, Glee for five voices (the Poetry from Ogilvie’s Odes) (Printed for the Author and Sold by T. Skillern, [wm 1799], 10pp., signed by the composer; KING, Matthew Peter (1773-1823), ‘When shall we three meet again?, from the first Scene in Macbeth’ … for three Voices (Printed by Goulding, Phipps, and D’Almaine, [ca 1800], 7pp.).; Glee Sun by Sigra. Storace, Miss Grainger, Master Welsh & Mr Suett [J. Dale, ca 1797]; DANBY, John (1757-1798), ‘The Negroe’s Complaint, A Serious Glee For four Voices’ (Printed by Longman and Broderip, [ca 1790], 8pp. BUC p.251). [ca 1795-1801] £175.00 details
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